Thursday, May 8, 2008

The First Sale Doctrine and the buyer's rights in the copyrighted good

From the Electronic Frontier Foundation, undercutting another absurd example of copyright overclaiming:
But throwing away that CD is copyright infringement?

According to UMG Recordings, that's true insofar as the label's promotional CDs are concerned: those thousands of unaccounted for discs the label mails out each year to reviewers, radio stations and others.


The Electronic Frontier Foundation is defending the accused pirate.

"According to the first sale doctrine, once a copyright owner has parted with ownership of a CD, book, or DVD, whether by sale, gift, or other disposition, they may not control further dispositions of that particular copy (including throwing it away)," EFF attorney Fred von Lohmann wrote on his blog. "It's thanks to the first sale doctrine that libraries can lend books, video rental stores can rent DVDs, and you can give a CD to a friend for their birthday. It's also the reason you can throw away any CD that you own."

Tuesday, May 6, 2008

Happy Birthday, pay up!

Via the Patry Copyright Blog, a site that is a far more organized approach to "Happy Birthday" than is this site to "K Cera Cera (mp3)." It's Robert Brauneis's collection of appendices, documents, and sound recordings relevant to his article "Copyright and the World's Most Popular Song," which, according to Professor Patry, is "67 and a half pages of history of the song and the copyright issues surrounding it." According to Brauneis's abstract:
"Happy Birthday to You" is the best-known and most frequently sung song in the world. Many - including Justice Breyer in his dissent in Eldred v. Ashcroft - have portrayed it as an unoriginal work that is hardly worthy of copyright protection, but nonetheless remains under copyright. Yet close historical scrutiny reveals both of those assumptions to be false. The song that became "Happy Birthday to You," originally written with different lyrics as "Good Morning to All," was the product of intense creative labor, undertaken with copyright protection in mind. However, it is almost certainly no longer under copyright, due to a lack of evidence about who wrote the words; defective copyright notice; and a failure to file a proper renewal application.

The falsity of the standard story about the song demonstrates the dangers of relying on anecdotes without thorough research and analysis. It also reveals collective action barriers to mounting challenges to copyright validity: the song generates an estimated $2 million per year, and yet no one has ever sought adjudication of the validity of its copyright.
There seem to be an awful lot of false assumptions in copyright law based, no doubt, on convention. Copyright overclaiming constitutes one product of these false assumptions. So too does the assumption, based on current practices, that any sample of a recording must be licensed.