Bridgeport Music, Inc. v. Dimension Films, 410 F.3d 792, paragraphs 37-38 (6th Cir. 2004)(footnotes omitted):
[A] sound recording owner has the exclusive right to "sample" his own recording. We find much to recommend this interpretation.
To begin with, there is ease of enforcement. Get a license or do not sample. We do not see this as stifling creativity in any significant way. It must be remembered that if an artist wants to incorporate a "riff" from another work in his or her recording, he is free to duplicate the sound of that "riff" in the studio. Second, the market will control the license price and keep it within bounds. The sound recording copyright holder cannot exact a license fee greater than what it would cost the person seeking the license to just duplicate the sample in the course of making the new recording. Third, sampling is never accidental. It is not like the case of a composer who has a melody in his head, perhaps not even realizing that the reason he hears this melody is that it is the work of another which he had heard before. When you sample a sound recording you know you are taking another's work product.
1 comment:
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